
Remembering out loud.
SAYGI1 — Mor ve Ötesi
2025 · Concert

SAYGI1 — Mor ve Ötesi
2025 · Concert
Saygı is Turkish for respect, and the SAYGI1 format pays it while the artist is alive to hear it. The third night honoured Mor ve Ötesi, for thirty years the backbone of Turkish alternative rock. Twenty acts played their songs across six hours. OKYU’s founding team built the night around one moment. Behind the LED walls, a hundred-piece orchestra and choir waited unseen. When Mor ve Ötesi took the stage, the walls lifted and the Azerbaijan State Symphony Orchestra appeared. The room had come to a rock concert. In that second it became something else: a room looking back at years it had memorised in one band’s voice.






Respect is something you can design.
Saygı is Turkish for respect. SAYGI1 — Babala TV and Sinerji Medya’s honours format — pays it while the artist is alive to receive it: peers take over the catalogue for a night, and the artist watches their own songbook come back at them from the room. The first night belonged to Ceza; the second to Sertab Erener. The third went to the thirty-year backbone of Turkish alternative rock: Mor ve Ötesi.
The night ran six hours, almost all of it played live. The lineup came from every corner of the map: generations of rock from Bulutsuzluk Özlemi to Son Feci Bisiklet; Sıla, Edis, Simge Sağın and Aleyna Tilki from pop; Birsen Tezer, Dilek Türkan and Nükhet Duru from other traditions; Madrigal, Adamlar, Dolu Kadehi Ters Tut, Nilipek, Batuhan Polat, Ece Dağıstan, Simge Pınar, Arem & Arman, Paptircem & Dilan Balkay from the new generation; Pitch Black Process from metal, Tolgahan Çoğulu from classical guitar. And Ceza — the series’ first honouree — came back to pay his own respect, joining Mor ve Ötesi on stage for a song.
This night cut deeper. For thirty years, Mor ve Ötesi’s songs have been written into the country’s recent memory — every song played that night was the marker of an era. The room didn’t listen to a catalogue; together, it looked back at a recent history it had memorised in Mor ve Ötesi’s voice.
OKYU’s founding team built the night’s moment. Behind the LED walls, a hundred-piece symphony orchestra and choir waited unseen. When Mor ve Ötesi took the stage, the walls lifted — and the Azerbaijan State Symphony Orchestra appeared. The night the room thought was a rock concert became something else in that second. The stage architecture was designed to serve it: a tiered angled roof, LED surfaces built to rise, and light worked into the lines of the structure itself.
A three-hour cut of the six-hour night went out on Babala TV’s YouTube channel and has passed 2.9 million views. SAYGI1 continues — and after three nights, the format’s claim is clear: genre doesn’t matter. Respect is something you can design.
Planning something at this scale? Let’s talk.
hello@okyu.co